All in Screen Nation
Babylon is dizzying and electrifying, it’s not for the faint of heart nor the pure of soul, but for those ready and willing to wander its gargantuan runtime and indulge in the luxuries of its scope, it proves to be a methodical and beautiful portrait of chaos run rife.
Other People’s Children is a sweet and heartfelt look at the relationships and connections you form and lose throughout life.
Violent Nights is Die Hard-meets-John Wick-meets-Home Alone. What more do you want?
Whether you buy into this love story or not will certainly determine your reaction to its bloody climax.
Top Gun: Maverick is every bit as good as you’ve heard – heck, it’s better.
Michael Bay, the maestro of machismo flavoured sunlit spectacle, finds a comfortable avenue to let his freak flag fly in his latest roller-coaster action thriller
if I were to describe Reeves’ The Batman, I would describe it as the most faithful Batman film ever created.
Whilst Goliath isn’t quite date night material, it does make for a gripping courtroom drama, featuring the all-important ingredients of self immolation, and an overall feeling of dread! Wowee, J’aime!
Compartment No. 6, in its simple and understated way, explores what it means to really connect with another human being.
Limbo manages to weave an interesting and unique tale of acceptance and renewal, that might bring hope to those searching for a place in their own world.
Whilst it’s title may sound revolting, I insist you give Paul Thomas Andersons latest film a try. You’ll find it rather delicious.
A large part of the film’s brilliance is down to Villeneuve’s directorial choices
In the current modern renaissance of the movie musical, it was only a matter of time before this popular stage production found itself being adapted to the silver screen.
A beautifully shot, heartbreaking portrait on the realities of deportation.
The Velvet Queen left me feeling truly enamoured.
Based of a Twitter thread is the modern day ‘based on the bestselling novel’, and Zola wears this label with pride.
No Time to Die marks Daniel Craig’s final go at James Bond, the debonair British MI6 agent with a licence to kill.
David Chase returns to the world of the Sopranos with his prequel period piece The Many Saints of Newark after slamming the door in the audience’s face 14 years ago with a cut-to-black ending that either signalled an assassination or a trollish middle finger.
Despite its admirable efforts, Candyman feels like a heap of wasted potential.
