Compartment No. 6, in its simple and understated way, explores what it means to really connect with another human being.
Compartment No. 6, in its simple and understated way, explores what it means to really connect with another human being.
Limbo manages to weave an interesting and unique tale of acceptance and renewal, that might bring hope to those searching for a place in their own world.
A beautifully shot, heartbreaking portrait on the realities of deportation.
The Killing of Two Lovers is a tense, icy marriage drama with a dark side.
Deerskin is altogether odd, and is truly like nothing else released this year.
Whilst stunning and exceptional on so many levels, the film's real trump card is its heart.
As a film about that encapsulates the birth of the #metoo movement, The Assistant is essential viewing.
Hearts and Bones, despite being a tumultuous, emotionally wrought drama, yields a certain sense of hope and clarity that seems particularly refreshing at this moment.
In Edmond, the creation of ‘Cyrano de Bergerac’, is given a lively and hilarious fantasy retelling.
A Hidden Life sees Malick in sublime form, capturing a time of the second world war rarely seen, and portraying a desperate and achingly beautiful love story that transcends any political or social bounds. If not for the length, this film would be perfect, but alas.
Once this film is over, people will see the plight of Indigenous Australians in a different light.
What a warm hug of a movie this is. What it lacks in box-office potential it more than makes up for in heart and soul, and thanks to the two compelling performances by Zack Gottsagen and Shia LeBeouf.
In her first feature-length film as writer/director, Mirrah Foulkes has crafted a genuinely oddball journey, one that seems to hint towards the backwoods, makeshift worlds of Terry Gilliam with the medieval silliness of Monty Python’s Holy Grail.