All in Screen Nation
Deeper questions, larger themes and broader messages are at play here.
In the Room Where He Waits is the feature debut of Australian writer-director Timothy Desphina Marshall, and a thrilling one at that.
As a prequel to Mad Max: Fury Road, Furiosa hits the mark as an epic slab of mythology, but doesn’t quite match the propulsive, sheer inventive magic of its parent film.
Indecisive between whether it’s trying to be Nolan or A24, The Beast is attempting to juggle contradictory balls.
It is hard to deny that this film says a lot.
The film takes a swing at depicting the full breadth of a struggle against alcoholism but doesn’t dig deeper than the surface level.
If Hollywood’s upcoming slew of original action IPs are half as passionate as Dev Patel’s debut Monkey Man, the genre’s in for another renaissance.
If you are looking for a movie to move you, Radical is not that. It is a flattering tribute to a teacher,who would expectedly also prefer it to have been a tribute to an inspiring generation of young Mexican students.
This episode on the Spoiler Nation Podcast, we dissect each trap in Saw X, the latest instalment of the infamous Saw franchise.
Eat your heart out, Jane Goodall!
The Promised Land delivers an utterly thrilling experience with a clear and beautiful message.
Denis Villeneuve, in these two parts of a whole, has created that special kind of blockbuster, that’s as thrilling as it is thoughtful.
Cinema is more than capable of re-sparking child-like excitement in the heart when done right. La Chimera proves it.
Monster is one to catch if you love a thriller or if you’re looking for a masterclass in intricate character relationships.
The Zone of Interest can restore your faith in the large-budget film, and maybe your belief in humanity’s capacity to endure any tyranny
An incredibly moving film, the balance between Broadway musical modernity and the authenticity of early 20th-century Black lives is well-wrought.
Watch hungry to maximise the effect of this film’s tantalising main attraction – the food.
Poor Things is a turbulent, jagged film thats rough edges are just as beautiful as it’s sleek professionalism.
May December is excellently unnerving, a dark tour through a long-living nightmare.