We speak to Payal Kapardia about her new film, loitering, urban expansion, and rice cookers.
All in Film Review
We speak to Payal Kapardia about her new film, loitering, urban expansion, and rice cookers.
We Live In Time is a very human film, performed exquisitely by its two leads.
The raw enormity of the feelings on screen are undeniably moving, and I found myself teary-eyed at a few points throughout.
Despite its rush to finish, Holy Cow is funny, warm and runs its course with a wry charm befitting of the characters.
The performances are all given a lot of heart, and expect it to win a lot of awards based on them.
In an age so inundated with the complexity, knowledge and trauma of oppression across the globe, it is immensely inspiring to bear witness to a war cry for future freedom.
Visit your local cinema freely. Go safely, and leave a piece of the happiness you brought with you.
The sets are huge, and the costumes, scenery and choreography are inch-perfect. With a snappy script and precise editing, there isn't a moment wasted as we jump from scene to scene.
Are you not entertained? We sure are!
Twice the length and half as scary, Smile 2 is Smile 1 with a coat of lip-gloss.
Litigations, lawsuits and reputation on the line: The Apprentice walks willingly into the line of fire.
it’s a film that never allows you to sit comfortably with any one emotion for its entire run-time.
Tight writing, committed performances, sickening practical effects - The Substance is a certified cult-classic.
With more red herrings than the subtropical waters of the Caribbean Sea: Strange Darling shines when it submits to what it is.
Impeccable performances bring every ounce of doubt and anguish to the fore without even opening their mouths.
Deeper questions, larger themes and broader messages are at play here.
In the Room Where He Waits is the feature debut of Australian writer-director Timothy Desphina Marshall, and a thrilling one at that.
As a prequel to Mad Max: Fury Road, Furiosa hits the mark as an epic slab of mythology, but doesn’t quite match the propulsive, sheer inventive magic of its parent film.