Whilst Goliath isn’t quite date night material, it does make for a gripping courtroom drama, featuring the all-important ingredients of self immolation, and an overall feeling of dread! Wowee, J’aime!
FILM REVIEW: "LICORICE PIZZA" IS A TREAT
Whilst it’s title may sound revolting, I insist you give Paul Thomas Andersons latest film a try. You’ll find it rather delicious.
THEATRE: "LITTLE WOMEN" IS A BIG SUCCESS
Little Women is a tried-and-tested classic, as wholly loved as it is wholly relevant. The Blue Room production is a wonderful little spectacle that offers everything loved about the tale.
FILM REVIEW: "ZOLA" IS A TWITTER THREAD OF HUMOUR & DREAD
Based of a Twitter thread is the modern day ‘based on the bestselling novel’, and Zola wears this label with pride.
FILM REVIEW: "THE SPARKS BROTHERS" BURNS WITH PASSION
The Sparks Brothers is an ode to creativity in it’s finest form, a never-ending saga of trial and tribulations at the behest of the ever-changing musical landscape.
FILM REVIEW: "THE CONJURING: THE DEVIL MADE ME DO IT" DIDN'T DO IT FOR ME
The Devil Made Me Do It is perhaps the weakest link in The Conjuring franchise (not taking into account it’s horrible spinoffs), trading the haunted house formula for a murder mystery, to diminishing returns.
FILM REVIEW: "A QUIET PLACE: PART II" LOUDLY IMPROVES UPON ITS PREDECESSOR
John Krasinski, AKA Jim from The Office, has obviously been taking notes since the previous film, and eagerly returns to write, direct and star in the second iteration of the little monster movie that could.
A stunning "The Audition" takes centre stage at the 2021 German Film Festival
The Audition is a visceral experience, wrapping it's strings around viewers and twisting tight.
FILM REVIEW: Chris Rock's Saw reboot "Spiral" is dizzyingly bad
I'm not too sure what Chris Rock saw in Saw, but I saw Chris Rock's Saw and it see-saws the line of being the worst Saw I ever saw.
FILM REVIEW: "Nobody" gives Saul Goodman fists of fury
Odenkirk is as charismatic as they come, and after nearly 11 years of watching him play the smooth talking sleazebag lawyer, Saul Goodman, it's fantastic to see him throw a punch.
FILM REVIEW: THE GODMOTHER IS NO MISDEMEANOR
The Godmother is a simple yet effective crime caper, carried by Huppert and Nguyen's addictive performances.
FILM REVIEW: "JUDAS AND THE BLACK MESSIAH" IS A MASTERPIECE
Black Messiah will break your heart and offer no condolences.
INTERVIEW: Comedian Patrick Marlborough invites you to a Woodside chat, "On Fringe"
With Fringe stating that performers are not to disparage any of it’s sponsors, Patrick has begun a modern day David vs. Goliath against the mining giant Woodside.
FILM REVIEW: "High Ground" has good intentions, but ultimately falls short
What could have been an important and timeless film, is undermined by its white saviour complex.
The Golem: or, Next Year in Jerusalem or, this year at the Blue Room
Writhing through the amber hallways, The Golem: or, Next Year in Jerusalem leads audiences on a bizarre tale of hope, fear, retribution and religion.
"The Bee Gee's: How Can You Mend a Broken Heart" goes behind the boogie.
Irrespective of whether you're a stan, or if Bee Gee's disco falsetto is is simply Jive Talking, How Can You Mend a Broken Heart is an inspiring and epic display of passion and creativity.
FILM REVIEW: "Bill and Ted Face the Music" is most excellent
In a world of sequels and reboots, Bill and Ted feel fresh and welcome.
Film Review: "Colour Out of Space" is a psychedelic nightmare.
Colour Out Of Space remains an ever-evolving horror fueled by a classic tale, anchored by terrifying practical monsters and energized by addictive Nicolas Cage Rage.
FILM REVIEW: "Queen and Slim" is a powerful wander through black America’s struggles
Queen and Slim is a beautiful, important and incredibly stylish film.
FILM REVIEW: Elisabeth Moss and clever direction makes "The Invisible Man" worth seeing
The Invisible Man is an excellent reimagining of the classic horror tale with a new and unique spin for the modern age.