Team of the Decade is an autobiographical street performance wherein a group of people run, walk and jog along with their newly acquainted mentor, Coach, who offers a supportive and optimistic approach to sportsmanship and effort.
FRINGE REVIEW: CHRIS MARTIN CLAW MACHINE GRABS LAUGHS
I’m no comedian (unless I’m six beers in) but Chris Martin: Claw Machine is a harmlessly delightful stand-up show NOT by the Coldplay front-man.
FILM REVIEW: A24's "The Lighthouse" is a bright beacon of abject terror
A pummeling of waves and a ramshackle wrath drowns any dastardly hope that screenwriter and director brothers, Max and Robert Eggers (The Witch), have acquired mercy in Robert’s second outing.
Film Review: Knives Out Is More Than a Stab in the Dark
Knives Out has sunk its blade sternly in the heart of audiences and critics alike.
Theatre Review: Octopuses have three hearts, and "Cephalopod" will have yours
Cephalopod grasps audiences with all eight of its tentacles, and doesn’t let go.
Film Review: Two Will Smiths cannot save "Gemini Man" from outdated mediocrity
How Much Smiths Could a Will Smith Smith if a Will Smith could Smith Smiths?
Film Review: "Abominable" has a warm heart, but lacks ambition
Abominable is heartfelt and undoubtedly means well, but the film utlimately falls too far into the snowy depths of predictability.
Rev Film Fest 2019 round-up: "Aquarela", "Dragged Across Concrete", "Tumbbad"
A round-up of some of the films in the Revelation Film Festival 2019 line up.
FILM REVIEW: "Under the Silver Lake" isn’t as deep as it thinks
There is both too much and not enough going on beneath the surface of this mystery from It Follows direct, David Robert Mitchell
Film Review: In "John Wick 3", the action is as impeccable as ever, but the story is faltering
Keanu Reeves is back as John Wick, and bringing the best stunts in the biz with him.
FILM REVIEW: "Mid90’s" Will be Remembered for Generations to Come
Jonah Hill sticks the landing with his directorial debut about the 90s skate scene…
Film Review: "The Guilty" is a Guilt-Free Pleasure
A good thriller arrests its audience in their seats, raising their heartbeat and the hairs on their neck. The Guilty’s truly remarkable feat is that it does precisely this, to both its audience and its protagonist.
Film Review: "Cold Pursuit" is an un-ice-pired remake of "In Order of Disappearance"
Like forgetting a jacket on a winters day; ‘Cold Pursuit’ feels incomplete, painful and makes you wish you stayed home.
Fringe Review: “Tröll” is worth crossing the bridge for
Tröll wastes no time with its brief 45-minute runtime, rolling punchline after punchline intercut with surprisingly effective atmospheric terror, akin to the nostalgic horror of a Goosebumps episode.
FILM REVIEW: Cold War is a Full-bodied and Complex Journey
‘The tragic romance of Cold War is subtle and flavourful. This is not tragedy on the grand scale of Romeo and Juliet, more an unfortunate fall from grace for two cliff-edged lovers who catapult each other into misery.’
FILM REVIEW: How "Ralph Breaks the Internet" Wrecked My Expectations
I wasn’t sure about this potentially cringey meme-fest going in, but it really brought me around. Literally.
FILM REVIEW: "Robin Hood" aims low; misses anyway
Robin Hood is a disaster - we’re ripping that bandaid straight off.
FILM REVIEW: How 'The Grinch' Stole Christmas and Whether You Should Care
Every Who Down in Whoville likes Christmas a lot...
But 'The Grinch', from Universal, gives me pause for thought.
Film review: 'The Nutcracker', a Mixed Review
The stage production certainly did not contain thousands of living mice fusing together into a single monster and marching through a haunted forest…but the film does.
FILM REVIEW: "American Animals" takes a heist thriller into the wild
American Animals is the best of both worlds: blockbuster thriller and madcap documentary.