Yesterday has the pleasant vibe of a genial rom-com. There are even bursts of genuinely funny moments. But there’s all sorts of things that drag it down.
All by Rhys Tarling
Yesterday has the pleasant vibe of a genial rom-com. There are even bursts of genuinely funny moments. But there’s all sorts of things that drag it down.
A film sister of sorts to the recent A Star is Born, Wild Rose similarly tells the story of the rise of a young female pop star (well, country singer in this case).
Toy Story 4 is a worthy continuation for the franchise, a vibrantly animated work buzzing with comic energy and neatly threaded with sophisticatedly written themes of identity and purpose.
“You ain’t never had a friend like me.” Except I did have a friend like Aladdin once. Exactly like Aladdin, in fact. And catching up with him this time left me feeling a little blue…
It’s quite the impressive feat Otiuh has pulled off here, summoning the atmosphere of an amiable summer night within that chilly venue.
Even when the story is treading well-worn territory, Rogen and Theron are so authentic and lively together that you don’t care you know exactly where it’s going, you’re just happy to be along for the ride.
There are images from Jordan Peele’s latest horror thriller Us that are strikingly composed. Yet, the film is ultimately a vexing experience.
“Gatz” is a high-wire act of a show, managing to sustain interest for nearly all of its six hours by extracting all the power from F. Scott Fitzgerald’s beloved little masterpiece.
In true WWE style, Fighting with My Family is a successful amalgamation of different genres and affections.
Bigger means hollower in this inessential sequel, yet it’s still entirely watchable at the worst of times due to Jessica Rothe’s effervescent presence. She’s that good.
With one foot in the real and the other in the ethereal, Barry Jenkins has crafted another masterpiece.
Is there a word exact enough to describe a movie that is so blandly competent and flavourless that to recall it would be as difficult as recalling last Tuesday’s lunch?
At first glance, this is a stunning film. But beneath the surface it’s a plodding and gloomy quagmire that would embarrass even the truest Scotsman.