Confidenza (Trust) sets a very high bar for this season's ST. Ali Italian Film Festival.
All tagged Film review
Confidenza (Trust) sets a very high bar for this season's ST. Ali Italian Film Festival.
Impeccable performances bring every ounce of doubt and anguish to the fore without even opening their mouths.
Deeper questions, larger themes and broader messages are at play here.
Indecisive between whether it’s trying to be Nolan or A24, The Beast is attempting to juggle contradictory balls.
It is hard to deny that this film says a lot.
The film takes a swing at depicting the full breadth of a struggle against alcoholism but doesn’t dig deeper than the surface level.
If Hollywood’s upcoming slew of original action IPs are half as passionate as Dev Patel’s debut Monkey Man, the genre’s in for another renaissance.
Eat your heart out, Jane Goodall!
Shazam! Fury of the Gods more or less delivers exactly what it’s expected to.
A beautifully shot, heartbreaking portrait on the realities of deportation.
Recently at Luna Leederville, local Perth production group Dolly Llama Productions (organised and led by Hassibullah Kushkaki) put on their second screening of 10 independent short films.
The Audition is a visceral experience, wrapping it's strings around viewers and twisting tight.
I'm not too sure what Chris Rock saw in Saw, but I saw Chris Rock's Saw and it see-saws the line of being the worst Saw I ever saw.
The Godmother is a simple yet effective crime caper, carried by Huppert and Nguyen's addictive performances.
Irrespective of whether you're a stan, or if Bee Gee's disco falsetto is is simply Jive Talking, How Can You Mend a Broken Heart is an inspiring and epic display of passion and creativity.
Is there a word exact enough to describe a movie that is so blandly competent and flavourless that to recall it would be as difficult as recalling last Tuesday’s lunch?
‘Race relations; unions; individual success in a world of inequality; the role of radical art in promoting social change; the blurred line between compelled labour and indentured servitude – this is a highly abridged list of topics the film touches on. I could go on.‘
Chalamet is ruthlessly convincing as a young drug addict, but does this true story feel real enough?