NICK CAVE AND THE BAD SEEDS: SKELETON TREE REVIEW
So basically this album is every bit as harrowing and melancholy as you would expect it to be. As the tremendous singer-songwriter-storyteller that he is, Nick Cave on his new album Skeleton Tree uses his plethora of sonic tools to paint a sorrowful picture with deep running concerns in loss and grief.
Having tragically lost his son little over a year ago, with only part of this album in creation at the time, this album displays the shattering effect and resonations such an event has had. One need look no further than the song “I Need You”, in which the emotion in Cage’s voice is near palpable, and definitely heartrending.
Focusing more on the instrumentation, everything feels expansive and yet somewhat vacant. With synths eerily sound-scaping the terrain onto which Cave often seems to simply wander atop, with delicate and often surreal worlds being wounded into its surface.
With death being so constantly close in Nick Cave’s discography, its rare to find it so ever-present without it being used as a dramatic or metaphoric device so often employed in his stories.
An experience not to be delved into lightly, and with this incredible new album, this year is shaping up to be one in which flirtations with death are abandoned for sheer confrontation.
The film feels earnest, and the performances are sincere enough to carry the runtime.
F1’s is an immersive, muscular melodrama about an aging race car driver who’s still got it. Well, he’s got his problems too.
Lighting, pyrotechnics, and early 2000s pop music are playfully woven together to immerse us in a theatrical montage of a drunken night out, where the tea is spilt and old resentments are finally laid bare.
Tightly scripted and well-paced, this is a consistent romp which knows when to circle…and when to bite.
Cackles and shrieks of delight could be heard throughout the film, and I left the cinema smiling, eyes scanning the footpath for handsome strangers.
The satirical musical returns bigger and bolder, running from May 27 - June 14 as part of the main Blue Room Theatre season, with sharper tweaks and a fresh ensemble cast.
Anyone who’s been paying attention in the past 5 years will have noticed that the Irish music community has developed to be one of the most influential scenes of this generation. We’ve seen some fantastic artists along the lines of Fontaines D.C, Kneecap, The Murder Capital and Gurriers, rise to prevalence in recent years however indie rockers Inhaler are arguably the cream of the crop.
While Anderson’s movies are not for everyone due to their twee nature, unconventional exposition and storytelling, the charm of the movie is undeniable.
The Surfer is one hell of a trip, one that plunges relentlessly into the weird tide of madness.